Earlier this week, I posted a brief note about the PCUSA’s decision to exclude the hymn “In Christ Alone” from their new hymnal. The authors of the hymn refused to give permission to exclude a reference to the wrath of God, so the editorial committee decided to exclude the hymn.
I have received some feedback from readers questioning whether this account of things is accurate. So I thought it might be helpful to hear from one of the committee members themselves. Committee member Mary Louise Bringle describes the committee’s decision-making process in The Christian Century. She writes,
Sustained theological debate occurred after the conclusion of the committee’s three-and-a-half years of quarterly meetings in January 2012. We had voted for a song from the contemporary Christian canon, Keith Getty and Stuart Townend’s “In Christ Alone.” The text agreed upon was one we had found by studying materials in other recently published hymnals. Its second stanza contained the lines, “Till on that cross as Jesus died / the love of God was magnified.” In the process of clearing copyrights for the hymnal we discovered that this version of the text would not be approved by the authors, as it was considered too great a departure from their original words: “as Jesus died / the wrath of God was satisfied.” We were faced, then, with a choice: to include the hymn with the authors’ original language or to remove it from our list.
Because we were no longer meeting as a committee, our discussions had to occur through e-mail; this may explain why the “In Christ Alone” example stands out in my mind—the final arguments for and against its inclusion are preserved in writing. People making a case to retain the text with the authors’ original lines spoke of the fact that the words expressed one view of God’s saving work in Christ that has been prevalent in Christian history: the view of Anselm and Calvin, among others, that God’s honor was violated by human sin and that God’s justice could only be satisfied by the atoning death of a sinless victim. While this might not be our personal view, it was argued, it is nonetheless a view held by some members of our family of faith; the hymnal is not a vehicle for one group’s perspective but rather a collection for use by a diverse body.
Arguments on the other side pointed out that a hymnal does not simply collect diverse views, but also selects to emphasize some over others as part of its mission to form the faith of coming generations; it would do a disservice to this educational mission, the argument ran, to perpetuate by way of a new (second) text the view that the cross is primarily about God’s need to assuage God’s anger. The final vote was six in favor of inclusion and nine against, giving the requisite two-thirds majority (which we required of all our decisions) to the no votes. The song has been removed from our contents list, with deep regret over losing its otherwise poignant and powerful witness.
Read the full article here.