Archive | Music

Russell Moore’s Review of New Johnny Cash Movie

One of the things that I love most about Russell Moore is his taste in country music. He is not nearly as much a Dixie-Chick-Keith-Urban country music fan as he is a George-Jones-Loretta-Lynn kind of a fan. He likes the old timey stuff.

That’s why I enjoyed reading his review of the new movie about Johnny Cash. Moore discusses the movie Walk the Line and generally gives it a good review. He also talks about Cash’s conversion which is not featured explicitly in the movie. The last paragraph of the review sums up Moore’s admiration for the late Johnny Cash.

My sons know Johnny Cash quite well because they hear his music around them all the time. My infant son’s lullaby each night is a Carter Family song. When they are older, we’ll watch Walk the Line. But we’ll follow it up with a reminder from Scripture that sums up Johnny and June more than celebrity can ever explain: They loved much for they were forgiven much. There was a Man in Black, not because of a marketing gimmick, but because he understood with lifelong pain what it means to descend into a “Ring of Fire” and to find a Deliverer on the other side.

Read “Walking the Line” by Russell Moore

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Kanye West’s Race-Baiting Tirade

Hip-hop star Kanye West went on a tirade during NBC’s disaster relief fundraiser tonight. West and Michael Myers were paired together during a segment so that they could appeal to a nationwide TV audience to donate money to the Red Cross. After Michael Myers opened with a few remarks, Kanye West began a meandering monologue that was clearly not written on his cue card and was very difficult to understand. However, a few things came through loud and clear.

First, West made the outlandish claim that the government had given the troops in New Orleans permission to shoot black people. Second, he accused the media of racist coverage, alleging that reporters are saying that black families are looting while white families are just looking for food. Third, West punctuated his screed with an low-blow against the President: “George Bush doesn’t care about black people” (the Washington Post has the entire exchange here).

I fear that West has been drinking deeply from the propaganda of the race-baiters who have been trying to exploit this tragedy for their own ends. For instance, consider Al Sharpton’s accusation on Keith Olbermann’s program just last night: “And the real question is not only those that didn‘t get out. The question is why has it taken the government so long to get in. I feel that, if it was in another area, with another economic strata and racial makeup, that President Bush would have run out of Crawford a lot quicker and FEMA would have found its way in a lot sooner” (source).

Consider also how Jesse Jackson criticized the federal response to the disaster: “How can blacks be locked out of the leadership, and trapped in the suffering? It is that lack of sensitivity and compassion that represents a kind of incompetence. . . There’s a historical indifference to the pain of poor people and black people . . . [the new media has] criminalized the people of New Orleans” by focusing on violence in the city (source).

So you see, Kanye West didn’t say anything that these race-baiters haven’t been saying all week. But West’s remarks do reveal just how reckless the rhetoric of the Jacksons and the Sharptons can be. What should have been a non-partisan appeal to the better angels of American nature turned into a counter-productive blame game.

Nevermind the fifty-percent of Americans who would take great offense at West’s parroted accusations. Nevermind the fact that such remarks might disincline some from contributing to the Red Cross disaster-relief fund. Just blame Bush and exploit the tragedy for partisan advantage. That does not sound very compassionate to me.

NBC tried to recover the good will of its viewers with the following statement that was released after the concert:

“Kanye West departed from the scripted comments that were prepared for him, and his opinions in no way represent the views of the networks. It would be most unfortunate if the efforts of the artists who participated tonight and the generosity of millions of Americans who are helping those in need are overshadowed by one person’s opinion” (source).

I am not saying that the south doesn’t have serious racial issues to confront. Believe me, we do. And I am certain I will have more to write on that topic later. But tonight, I am just troubled by the irresponsible, inflammatory statements made by West.

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Pro-Life and Hip-Hop: Nick Cannon’s Amazing Video

Nick Cannon and His Mother

It’s not often that a rap video brings a tear to your eye. But my wife and I watched one tonight that did.

Some of you may know Nick Cannon from the hit movie “Drumline” or perhaps from his new show on MTV, “Nick Cannon Presents Wild ‘N Out.” What you may not know is that he released a music video this summer that is powerfully pro-life.

The lyrics to the song tell the true story of Nick Cannon’s mother. When she became pregnant with Nick, she was an unwed teenager. She made it all the way to the operating table of the abortion clinic when she realized that she was about to do something awful. So she got up and walked away from the clinic and away from the abortion. The rest of the song is a “thank you” to his mother for letting him live. The video closes with Nick embracing and thanking his real-life mother.

The music video to the song “Can I Live” is one of the most poignant pro-life messages that I have ever witnessed. Reading the lyrics alone won’t really convey the emotional wallop that you get from watching the video. So I highly recommend clicking here or here to see it for yourself.

Kathryn Jean Lopez from National Review Online writes:

“Cannon’s new music video ‘Can I Live?’ tells a tale that’s very different from a gangsta’s paradise of dirty dancing and booty calls that Cannon may be sandwiched in between on MTV or BET. In the song, the hip-hop pop star tells his life story — or at least the beginning of it and his mom’s close call with abortion.

“Cannon, 24, appears in the video as a ghost (or an angel, if you prefer) and sings, ‘Mommy, I don’t like this clinic. Hopefully you’ll make the right decision, and don’t go through with the knife decision.’

“A scared teen, his mother was on a gurney — that’s how close the call was — but got up, and, at least in the video version, ran.

“He points out to his mother something she got on some level, or she wouldn’t have gotten up: ‘That’s a life inside you, look at your tummy. What is becoming Ma, I am Oprah bound. You can tell he’s a star from the Ultrasound.’

“The video images tell a stirring, gripping story regardless of where you fall in the abortion debate.”

Go watch the video and buy the single. We should support something that is bound to save many lives that might otherwise have been snuffed out.

(R. Albert Mohler talked about the video on his radio show. You can download the mp3 of Mohler’s program here.)

(HT to Justin Taylor whose blog first brought this video to my attention.)

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Interview with Bono in CT

For you rabid U2 fans, I thought you might be interested in an interview with Bono appearing on the Christianity Today website. The interview appears under the title “Bono: Grace over Karma.” Among other things, Bono is able to articulate a fairly clear profession of faith in Christ.

“I’m holding out that Jesus took my sins onto the Cross, because I know who I am, and I hope I don’t have to depend on my own religiosity . . . I love the idea of the Sacrificial Lamb. I love the idea that God says: Look, you cretins, there are certain results to the way we are, to selfishness, and there’s a mortality as part of your very sinful nature, and, let’s face it, you’re not living a very good life, are you? There are consequences to actions. The point of the death of Christ is that Christ took on the sins of the world, so that what we put out did not come back to us, and that our sinful nature does not reap the obvious death. That’s the point. It should keep us humbled… . It’s not our own good works that get us through the gates of heaven.”

I don’t know much about Bono’s religious commitments or how his definition of terms may vary from that of the typical North American Evangelical. But at first blush, this isn’t too shabby.

The interviewer (who is a skeptic, to say the least) goes on to ask: “Christ has his rank among the world’s great thinkers. But Son of God, isn’t that farfetched?” Bono responds:

“No, it’s not farfetched to me. Look, the secular response to the Christ story always goes like this: he was a great prophet, obviously a very interesting guy, had a lot to say along the lines of other great prophets, be they Elijah, Muhammad, Buddha, or Confucius. But actually Christ doesn’t allow you that. He doesn’t let you off that hook. Christ says: No. I’m not saying I’m a teacher, don’t call me teacher. I’m not saying I’m a prophet. I’m saying: ‘I’m the Messiah.’ I’m saying: ‘I am God incarnate.’ . . . So what you’re left with is: either Christ was who He said He was—the Messiah—or a complete nutcase . . . The idea that the entire course of civilization for over half of the globe could have its fate changed and turned upside-down by a nutcase, for me, that’s farfetched . . .”

Here, Bono sounds as if he’s been reading C. S. Lewis’ “Lord, Liar, or Lunatic” trilemma. Whatever the case, I have to give Bono credit for giving such a thoughtful answer.

Notwithstanding his apparent misunderstanding of the relationship of the Old Testament to the New, the entire interview was a pleasant surprise.

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An Easter Hymn

by Denny Burk

O Jesus, Savior of my life,
My hope, my joy, my sacrifice,
I’ve searched and found no other one
Who loves me more than you have done. (John 15:13)

So I denounce my lingering sin
Whose power You have broke within (Rom 6:14)
My ever weak and faithless frame. (Rom 7:14)
Its vigor’s crushed in Jesus name.

For your death did at once proclaim,
The Father’s glory and my shame. (Rom 3:25-26)
And you did seize my cup of guilt (Luke 22:42)
And drank all that the chalice spilled. (1 Cor 5:21)

No condemnation now I dread
Because you went for me instead
To bear the Father’s hell-bent rage,
To pay the debt I would have paid.

Yet your work finished not with death,
Nor with your final murdered breath.
For death’s blows could not ever quell
The One whose life is in Himself. (John 5:26)

Your passion broke forth full with life
And foiled the adversary’s wiles
And broke the chains and killed the sting (1 Cor 15:55-57)
In which death had imprisoned me.

O Savior, who died in my stead, (Mark 10:45; Heb 9:28)
You firstborn from among the dead, (Col 1:18)
O Savior, you who saved my life, (Matt 1:21; John 12:47; 1 Cor 1:21)
Will take me whole to paradise. (Rev 22:1-7)

So on this resurrection day
I lift my voice with all the saints
And sing with all my ransomed might (1 Tim 2:6)
Of You, the Savior of my life.

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My New Favorite Album: “Soul Still Remembers”


Pictured above: The Critics’ CD release concert in Shreveport, LA.

I’ve just posted a review of the the Critics‘ debut CD on the “CD Baby” website (click here). “Soul Still Remembers” really is my new favorite album, and the Critics are my new favorite band.

Musically, “Soul Still Remembers” deserves a place among the all-time greats. I am a fan of bands like Counting Crows, Vertical Horizon, and Train, and this album surpasses them all. A written review cannot do justice to the Critics by way of description. You simply have to buy this album and listen to it for yourself.

To enjoy the album as it was intended, you really have to buy the CD. The songs are not arranged willy-nilly, but actually appear in an intentional sequence. The CD jacket is printed like a book, complete with chapter divisions and endnotes. Each song comprises a chapter (or “canto”) in what is supposed to look like a book of poetry. And the lyrics are indeed poetry.

The lyrics portray the ruminations of an individual who is grappling with the issue of repentance, and each chapter opens up new vistas into the human condition before God. All of this is mixed with a profound understanding of the Word of God and how it describes our plight and salvation. Every time I reread these lyrics, there is a new insight that I hadn’t seen before.

One of my favorite songs of the album is “To Jeremiah,” a poem about the prophet and the Biblical book bearing his name. This song illustrates what is true of the rest of the pieces on the album; the lyrics can stand alone by themselves as poetry. Here’s “To Jeremiah”:

Sing to me, Jeremiah,
of pickled skin and cracked bones,
of wrists rusted by chains
and feet cut by the stony road
where lion and bear wait
to kill your view of faulty Zion,
stripped down from her hill.

Tell me, Jeremiah,
about this town with no King,
where you, pressed face-long to the ground,
taste your teeth broken down
for the least of these.
Women eat salty skin
boiled and baked within them,
in their own hands,
and the prophets lie
and see clever fantasies
to calm the captives.

Let me, Jeremiah,
bear the yoke while I’m young
that I might sit down and shut up
disgraced in my own ashes—
a “harlot-town’s son”—
so I can better know your hope
because, sir, I’ve seen your King.
Oh, Jeremiah sing,
for your King, at last, has come.

A new kingdom has come.

Do not delay. Make haste and add this album to your collection.

(When you visit the CD Baby website, listen to the following songs: “A Floor Below,” “Worse Than I Thought,” and “Soul Still Remembers.”)

Pictured below: Me (left) and the lead singer Myles Roberts (right) after the CD Release concert.

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